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Article: Audio for TV: location audio, distinctive vocal cadences, quick turnarounds and puberty are just some of the challenges faced by audio pros working on today's episodics. Here's their stories and some tips.
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- Post
- Article date:
- April 1, 2003
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CopyrightCOPYRIGHT 2003 Advanstar Communications, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)
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they may be the last steps in the post production process but audio editing and mixing play key roles in creating and enhancing the drama, comedy and reality of TV series on every broadcast and cable network.
SYNC SOUND COMPLETES SUCCESSFUL STAY IN OZ
New York City's Sync Sound (www.syncsound.com) spent seven seasons performing audio post for Barry Levinson and Tom Fontana's landmark Homicide: Life On The Street, then began the team's next series, HBO's Oz. With the show's 100-minute finale a couple of months ago, Sync Sound and its new feature and TV arm, Digital Cinema LLC, wrapped six seasons of audio post on the breakthrough prison drama.
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