Article: 'ORFEO' TOO HARSH TO CHARM IN L.A.(U)(Review)

Byline: David Mermelstein Correspondent

CHRISTOPH Willibald Gluck knew a good wellspring. His ``Orfeo ed Euridice'' written in 1762 sprang from the same source, the Greek legend, that had produced the first extant opera, Jacopo Peri's ``Euridice,'' and the first great one, Monteverdi's ``Orfeo,'' about 150 years earlier. But though revolutionary at its premiere, Gluck's ``Orfeo'' has become a problematic work in our day. It is difficult to stage effectively, as was obvious when the Los Angeles Opera opened a new production of it Saturday night.

Despite the opera's three acts and three characters, Orfeo singularly dominates the work. Euridice doesn't ...

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