Article: Sharon Lockhart; blum & poe.(Los Angeles)

In her inaugural exhibition at this thoroughly expanded gallery, Sharon Lockhart presented a group of distinct yet interrelated works: two sets of large-scale color photographs involving the hyperrealist sculpture of Duane Hanson, a body of smaller images involving brussels sprouts, and a 16 mm film, the latter two inspired by the Japanese art/philosophy of flower arranging.

The film, NO, 2003, records from a fixed vantage point the gracefully orchestrated activities of husband and wife farmers at the close of the harvest season in Japan. Tidy piles of mulch, arranged one next to the other with minimalist precision, are dispersed by the pair with large, broomlike ...

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