Article: Dresden reliquary: past into present.(Gallery)

This work deals primarily with what my photographer friend Christine Starke called "the forgotten ones," buildings and factories left in ruins and abandoned--the darker side of Dresden, not the glorious Semper Opera House, for example.

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My photographic projects unfold over time, requiring periods of months to create what I consider a completed series. Much of this work has been done with late 19th and early 20th century extreme large format view cameras using 14" x 17" and 12" x 20" films and making contact prints of the same size. For the connoisseur, a contact print, the result of printing the negative directly onto photographic ...

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