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Article: Cinema died the day the zapper came into our living rooms; The British don't understand film, says director Peter Greenaway, whose new project is an enigmatic art installation.
- Article from:
- The Evening Standard (London, England)
- Article date:
- March 11, 2004
CopyrightCOPYRIGHT 2004 Solo Syndication Limited. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)
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Byline: FIONA MADDOCKS
IMAGINE, as Peter Greenaway would say, and indeed does several times during our encounter. It is Sunday morning in a grand Georgian house set in rolling Capability Brown parkland in the middle of England.
But not a devilled kidney or riding crop in sight. Instead, tall, blonde Dutch people in jeans rush to and fro with hammers and screwdrivers.
One is "distressing" dozens of children's yellow pencils. Others are faking passports. All keenly await the arrival of the cult puzzle-loving filmmaker, still best known for The Draughtsman's Contract (1982) despite the countless films (Drowning By Numbers, The Cook, the Thief, his ...
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