Article: Contributions to almighty truth: Stevie Smith's seditious romanticism.

Stevie Smith first came into critical radar under the aegis of biographical study, which tends to submerge her unique work into the portrait of an English eccentric. Smith herself called being prized for eccentricity "a sad fate" (qtd. in Barbera and McBrien 243). The eccentricity of her poetry--its disparate sources, silly rhythms, and strange rhymes--might bear study. I would argue that it can be fruitfully studied as a pose: by posing as an insignificant doodler, Smith covers up what turn out to be traditional romantic assertions of poetic authority. Rather than abjuring claims to poetic vision, her poetry pretends not to aspire to authority even as it quietly seizes ...






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