Article: Martin Borowski at Stellan Holm.

Martin Borowski's paintings have the cool and detached quality of Thomas Struth's photographs of empty streets. In fact, Borowski, a German painter, uses photographic sources, most in the public domain, that he digitally tweaks. He aims for a soft, blurry touch perfectly served by the fluidity of oil, recalling Gerhard Richter's figurative work. Borowski's preferred subjects are architecture and interior design, in scenes viewed head-on in a deadpan, neutralizing and abstracting fashion.

The striking Garage (2004) is a large (72 by 161 1/2 inches) painting that hints at the panoramic span of CinemaScope. Its subject is Mies van der Rohe's Villa Tugendhat in Brno, ...

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