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Article: Wayne Gonzales: Galerie Almine Rech.(PARIS)
- Article from:
- Artforum International
- Article date:
- November 1, 2004
- Author:
CopyrightCOPYRIGHT 2004 Artforum International Magazine, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)
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I can still remember Wayne Gonzales's series of paintings constructed around the figure of Lee Harvey Oswald and the Kennedy assassination, shown in 2001 at the Paula Cooper Gallery and at the Consortium of Dijon. Of particular note was the juxtaposition of paintings of an acid pink and yellow ad for Jack Ruby's night-club, a stripper who looked like Marilyn Monroe, and a ballistic diagram from the Warren Commission report (Magic Bullet Theory, 2001)--so many postphotographic indices of a history already constituted yet still in fragments. Far from the tidy narratives of Oliver Stone in his film JFK or James Ellroy in his American Tabloid, the "narrative" constituted by ...
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