Article: Ayn Rand's Atlas Shrugged: from romantic fallacy to holocaustic imagination.

 
  "The only authentic epoche is ... victory over desire, victory over 
  Promethean pride." 
  --Rene Girard (1) 
 
  "When the SStorturer becomes the villain of the war film, he is 
  turned into a sacrificial figure, a scapegoat, [he becomes the] 
  structural equivalent of the Jud Suss in Nazi cinema." 
  --Eric Gans (2) 

I

NO ACCOUNT OF Ayn Rand's (1905-1982) sprawling, morally incoherent end-of-the-world story Atlas Shrugged (1957) (3) can begin elsewhere than in an acknowledgment of the way in which the novel's fascinating spectacle can draw a reader in despite himself. This spectacle is the book's secret, which the present essay aims to investigate.

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