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Article: Jessica Stockholder: a merging of mediums: since the 1980s, Stockholder has used everyday items and liberally applied paint to create distinctive sculpture-painting hybrids. A traveling survey of her sculptures goes on view this month at the Weatherspoon Art Museum.(Critical Essay)
- Article from:
- Art in America
- Article date:
- February 1, 2005
- Author:
CopyrightCOPYRIGHT 2005 Brant Publications, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)
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The concept of sculpture has changed so much in recent decades that most of what is currently classified as sculpture bears little resemblance to the millennia-old tradition of carved or cast figures. Practically any three-dimensional object serving a decorative, esthetic or conceptual purpose is now viewed as sculpture. The shift occurred in the 1960s, when Donald Judd argued that his planar wooden forms were not sculptures since they were neither "sculpted" nor statues. Sculpture, he proclaimed in 1965, "is finished." In the late '60s, Earth artist Michael Heizer declared that "the idea of sculpture has been destroyed, subverted, put down." But sculpture, like painting, ...