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Article: Jean-Luc Godard: Son + Image. (Museum of Modern Art, New York, New York)
- Article from:
- The Nation
- Article date:
- November 23, 1992
- Author:
CopyrightCOPYRIGHT 1992 The Nation Company L.P. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)
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He barely makes it onto the screen. While most of the frame is taken up with an office setting--a desk, a lamp, some chairs and shelves--the world famous filmmaker intrudes only so far as the screen's left edge, and provisionally at that. A hand darts in and out of view, flicking a cigarette toward the ashtray on the desk. On the soundtrack, you hear the familiar baritone, pebbly in texture, speaking in monotone bursts. The year is 1976; the place is Grenoble. Jean-Luc Godard is sneaking into view. During his New Wave period, Godard had preferred to let the likes of Jean-Paul Belmondo stand in for him on screen. During the Maoist period of the Dziga Vertov Group (roughly ...
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