Article: Cildo Meireles at Galerie Lelong.(New York)

For several decades, the Brazilian artist Cildo Meireles has deployed simple, familiar objects and materials in formal arrangements and interactive environments that explore bodily self-awareness, global and institutional modes of order and control, and the relationships between rationalized space and open-ended experience. Two works recently installed at Galerie Lelong exemplify this practice in contrasting forms.

Strictu (2000) consists of a small wooden table flanked by a pair of chairs and two rows of stainless steel poles between which a chain, strung with handcuffs and iron balls, zigzags across the floor. On the table rests a quotation attributed to a Ku ...

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