Article: Poetry in prose.(Reader at Large)

This has the best first chapter in the history of the world," exulted a thirteen-year-old friend, Laura. She pulled from our bookshelves Kevin Crossley-Holland's The Seeing Stone. "Listen to this!" she said, and read aloud, "Tumber Hill! It's my clamber-and-tumble-and-beech-and-bramble hill! Sometimes, when I'm standing on the top, I fill my lungs with air and I shout. I shout."

Laura was responding to sound and meaning. She was responding to poetry--to trochees and dactyls, bouncing "tumber, clamber, tumble, bramble"; to "beech-and-bramble," initial and embedded bs exploding softly in her ear; to lengthening musical phrases punctuated by two monosyllables, the ...

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