Article: Still for sale: love songs and prostitutes from La Traviata to Moulin Rouge.(Critical Essay)

This essay challenges the prevailing notion of popular culture as debased by interrogating the fraught relationship with commodity culture Baz Luhrmann's 2001 Moulin Rouge shares with its reviewers.

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Baz Luhrmann's Moulin Rouge, hailed by its supporters as the triumphant remake of the movie musical (Wilmington; Talen), has also drawn extensive criticism for a number of its musical choices, particularly its use of a pastiche of popular songs from the 1890s to the present. The litany of complaints regarding the songs includes charges that they are borrowed and consequently unoriginal (Rudolph); composite and as such fragmented and incomplete; ...






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