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Article: Bill Owens: James Cohan Gallery.(Critical Essay)
- Article from:
- Artforum International
- Article date:
- October 1, 2005
- Author:
CopyrightCOPYRIGHT 2005 Artforum International Magazine, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)
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Add another name to the growing list of 1970s American photographers recently "rediscovered" by the contemporary art world. You could say that this resurgence began with 303 Gallery's exhibition of Stephen Shore's photographs in 2000. That show, Shore's first New York solo exhibition in five years, put his dusty road pictures and poignant slices of rural ennui (abandoned drive-in theaters, expansive skies over desolate byways) in a new, hipper context. The tendency has continued with a reinvigorated market for William Eggleston and the reemergence of other prominent figures from the period, including Robert Adams, Mitch Epstein, Joel Sternfeld, and Mary Ellen Mark. And ...
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Article: BILL OWENS
Artforum;
October 1, 2005 ;
700+ words
...BILL OWENS JAMES COHAN GALLERY Add another name to the growing list ... California-based photographer Bill Owens has earned his own moment in the ... the past twenty years, but James Cohan Gallery evidently felt that the artist needed ...
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