Article: Jessica Morgan on Ulla von Brandenburg.

UNLIKE MANY ARTISTS TODAY who scavenge from every last scrap of modernist production, Ulla von Brandenburg has leaped over that period of utopian experimentalism, alighting instead in the preceding century. Von Brandenburg is attracted to the sophistication, escapism, extreme aestheticism, world-weariness, and fashionable despair that characterized the literary and artistic climate of the European fin de siecle (though in practice she looks equally to German Romanticism and the baroque metaphor of theatrum mundi). Rather than longing for ideological absolutes, the apparent impetus for the ongoing investigation of modernism, von Brandenburg is drawn to the sense of ...

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