Gener, Randy. "New York City: Synge Our Contemporary." American Theatre. 2006. HighBeam Research. (July 31, 2014). http://www.highbeam.com/doc/1G1-148289588.html
Gener, Randy. "New York City: Synge Our Contemporary." American Theatre. Theatre Communications Group. 2006. Retrieved July 31, 2014 from HighBeam Research: http://www.highbeam.com/doc/1G1-148289588.html
Have you ever wondered why the Irish theatre is littered with dead babies? You know, those children who die offstage somewhere in a distant corner of Ireland--unbaptized infants who are never seen or heard, but who leave their poor mothers grieving for the rest of the play's duration? It may have been the Irish dramatist John Millington Synge (1871-1909) who first patented the infant-death theme--old Maurya, the mother in his one-act Riders to the Sea, has lost six of them. "That makes her a hard act to follow," notes the novelist Anne Enright in Synge: A Celebration. "I only mention this because offstage dead children make me cry."
In his short life, Synge left behind only a handful of plays--six, to be exact. …
Star Tribune (Minneapolis, MN); June 25, 2006
Daily Variety; August 1, 2006
Daily Variety; August 13, 2009
The Washington Post; October 17, 2008
Daily Variety; December 13, 2005
Browse back issues from our extensive library of more than 6,500 trusted publications.
Help us improve our websites
Become a member of our Customer Advisory Panel. Your opinion matters!Join the panel
HighBeam Research is operated by Cengage Learning. © Copyright 2014. All rights reserved.
The HighBeam advertising network includes: womensforum.com GlamFamily