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Home » Publications » Lifestyle magazines » Entertainment magazines » American Theatre » July 2006 »
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    MLA

    Gener, Randy. "New York City: Synge our contemporary.(John Millington Synge )." American Theatre. Theatre Communications Group. 2006. HighBeam Research. 22 May. 2013 <http://www.highbeam.com>.

    Chicago

    Gener, Randy. "New York City: Synge our contemporary.(John Millington Synge )." American Theatre. 2006. HighBeam Research. (May 22, 2013). http://www.highbeam.com/doc/1G1-148289588.html

    APA

    Gener, Randy. "New York City: Synge our contemporary.(John Millington Synge )." American Theatre. Theatre Communications Group. 2006. Retrieved May 22, 2013 from HighBeam Research: http://www.highbeam.com/doc/1G1-148289588.html

    Please use HighBeam citations as a starting point only. Not all required citation information is available for every article, and citation requirements change over time.

New York City: Synge our contemporary.(John Millington Synge )

American Theatre
American Theatre

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July 1, 2006 | Gener, Randy | Copyright
COPYRIGHT 1999 Theatre Communications Group. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights or concerns about this content should be directed to Customer Service.
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Have you ever wondered why the Irish theatre is littered with dead babies? You know, those children who die offstage somewhere in a distant corner of Ireland--unbaptized infants who are never seen or heard, but who leave their poor mothers grieving for the rest of the play's duration? It may have been the Irish dramatist John Millington Synge (1871-1909) who first patented the infant-death theme--old Maurya, the mother in his one-act Riders to the Sea, has lost six of them. "That makes her a hard act to follow," notes the novelist Anne Enright in Synge: A Celebration. "I only mention this because offstage dead children make me cry."

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