Article: Introduction.(THE EDITORS)

In one of the earliest pieces on pornography from the field of film studies Paul Willemen laid out the concept of the fourth look as distinct from the three looks of mainstream narrative cinema: the intradiegetic look of the characters, the look of the camera, and the look of the spectator. (1) The fourth look catches the spectator in an act of cinematic voyeurism and causes shame. It is a censorious look whether self-censoring or through more overt legal restrictions.

Obviously, pornography elicits this fourth look more often than any other genre. In mainstream narrative cinema (and even in many art films), for example, the look of the viewer is frequently ...

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