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Article: Moore's artists: 35 years of portraits by a master photographer: Michael Hall talks to Derry Moore about a major theme in the photographers's distinguished career: portraits of artists, collectors and art critics. They begin with Henry Moore and Bill Brandt in the early 1970s and come right up to date with a new study of Grayson Perry, specially commissioned by Apollo.
- Article from:
- Apollo
- Article date:
- May 1, 2007
- Author:
CopyrightCOPYRIGHT 2007 Apollo Magazine Ltd. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)
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It is no accident that portraits of artists, art critics and collectors form such a strong theme in Derry Moore's photography, for it was a painter who gave him the first clue about what his career might be. 'In the summer of 1959', Moore recalls, 'while I was still at Cambridge, I spent six weeks in Salzburg, partly to learn German but mostly to attend the Schule des Sehens--the School of Seeing--run by Oskar Kokoschka. I knew at once that I had discovered something extraordinary. Kokoschka used art to make people learn how to look. I spent a lot of time doing watercolours, partly as exercises in space and light.'
Moore left Kokoschka--whom he once described as ...
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