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Article: Representative men: unfreezing the male gaze.
- Article from:
- College Literature
- Article date:
- October 1, 1994
- Author:
CopyrightCOPYRIGHT 1994 West Chester University. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)
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A new idea and force now seem upon us. The feminist hegemony that has dominated film discourse for the past twenty years seems to be bringing forth a new way of considering the relationship of men and male subjectivity to film, dramatically complicating our critical and theoretical understanding of the cinematic process. The authors and editors of these new books build upon the synthesis of psychoanalysis, semiotics, feminism, and ideological analysis that held sway in previous cinematic theory. They also continue to read films as texts that relate inevitably to complex social, cultural, and ideological contexts.
To provide the background for this development in ...
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Article: Women: 'the male gaze' A Goya show at the National ...
The Christian Science Monitor;
April 5, 2002 ;
700+ words
... ... and powerless. Whether from the 1400s or 1800s, we know women through the limited prism of what art history calls "the male gaze." Perhaps future shows will carry the theme into our century, letting women speak for themselves, and art reflects what ...
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