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Article: Last Train to Memphis: The Rise of Elvis Presley.
- Article from:
- National Review
- Article date:
- February 6, 1995
- Author:
CopyrightCOPYRIGHT 1995 National Review, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)
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ALL SLOPES are slippery. Forty years ago, columnists and clergymen were tearing their hair over Elvis Presley, whose televised hip-swiveling was contemptuously compared by the New York Times to "the repertoire of the blonde bombshells of the burlesque runway"; today, MTV pumps gangsta rap and heavy metal into the homes of millions of teenage suburbanites, and nobody, least of all the Times, hoists an eyebrow. As for Elvis, I caught him on the Disney Channel just the other night, looking (and sounding) as innocent as Glenn Miller. The French, as usual, were wrong: the more things change, the worse they get.
Peter Guralnick's Last Train to Memphis: The Rise of Elvis ...
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