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Article: Riffing the canon.(musical canons )
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- Article date:
- December 1, 2007
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CopyrightCOPYRIGHT 2007 Music Library Association, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)
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When I was invited to speak about musical canons to the Music Library Association (MLA) and the Society for American Music (SAM) during their joint conference in Pittsburgh in February 2007, my first instinct was to race for the nearest exit. As you will soon see, I have an anticanonical bias that is more the result of my peculiar educational history than any theoretical considerations. So my talk will be anecdotal and experiential. I shall start with a couple of examples of canonic trauma from my earlier years, and then turn to the evolution of my views of what is often considered a jazz canon, the Smithsonian Collection of Classic Jazz. (1)
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