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Derek Jarman's "ghostly eye": prophetic Bliss and sacrificial blindness in Blue.

Theorizing vision and the visionary in Blue, this essay explores the film's finale as a prophecy--Derek Jarman's attempt to mitigate AIDS losses by appropriating the paradigm of blindness as insight to augur a queer h(e)aven--and as a formally reflexive examination of the allure and limitations of consolatory narratives of transcendence.

Celebrated as a prominent avant-garde director, Derek Jarman quipped that he preferred to be known as "a painter who dabbled in another art form, namely cinema" (qtd. in Lawrence 248). He could also aptly be billed as an innovative gardener; the author of a body of sophisticated, frequently autobiographical writings on art and identity; and, as ...

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