Article: Romance as political aesthetic in Ahdaf Soueif's The Map of Love.(Critical essay)

[1] Romance has, to put it mildly, a sketchy political history. On the one hand, its focus on interpersonal dramas within the feminized private sphere, from aristocratic liaisons in the chivalric epics of the Middle Ages to the novels of Jane Austen to the tawdry delights of Harlequin, Mills and Boon, and the romantic comedy film, seem ill fitted to grand statements about social and political concerns. In this sense, the romance's very identity depends on being defined against a masculinized realism and its weighty problems. At the same time, as scholars such as Anne McClintock and Laura Chrisman note, the romance's tradition of male questers seems to lend itself all too ...






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