Article: Sam Durant. (Blum and Poe gallery, Los Angeles California).

BLUM AND POE

Installing a sliding-glass door to enclose a space beyond the gallery's reception area, a suspicious Sam Durant contrasted the workaday practicality of furnishings and building materials with the surface seamlessness of interior design through photographs, drawings, and sculpture. In his five-part sculpture Scrap Recycling Project with American Ingenuity, 1995, Durant attached a high-pressure laminate surface to odd-shaped scraps of plywood and particle board. The smooth laminate was carefully trimmed to the edges of the supports, and the pieces - painted either in the brown, yellow, and ochre "earth tones" of '70s interiors or in "bicentennial" reds, ...

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