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The white screen circa 1900--on the moving image as potentiality of thought.(Critical essay)

Leonce Perret's 1912 film Le mystere des Roches de Kador presents one of the most beautiful shots in the early history of cinema: the female protagonist, Suzanne, shrinks away from a white screen filled with light in front of her and eventually faints (see Figure 1). In the film's story, Suzanne has fallen into an amnesic and catatonic state due to a traumatic experience of a shooting incident taken place at a rough seashore, where Suzanne's cousin who is jealously in love with her has attempted to shoot her fiance. She is treated by a Professor Williams with a "new cinematographic method in psychotherapy," which consists of restaging and recording the traumatic event and then ...

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