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Article: Requiem: Neun geistliche Konzerte fur Klavier solo, konzertierende Trompete und grosses Kammerorchester (1990-92).
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- Notes
- Article date:
- June 1, 1996
- Author:
CopyrightCOPYRIGHT 1996 Music Library Association, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)
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It is difficult to overestimate the position Hans Werner Henze has carved out for himself in contemporary music. With significant contributions to virtually every genre (eight symphonies, a number of large-scale operas, choral and orchestral works, and a plethora of chamber music), he has done so not by creating a system and disciples to follow it (thus setting himself apart from many of his Darmstadt colleagues), nor by being eclectic (in the way of, say, Luciano Berio, Michael Tippett, and composers using the "collage" technique), nor by hanging his musical output on a particular political philosophy - although he has, of course, done many of these things at various stages ...
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Article: Henze's dance of death.(On Music)(Hans Werner Hanze)
The New Leader;
November 1, 2005 ;
700+ words
...OVER THE YEARS, attitude toward Hans Werner Henze's music has fluctuated wildly. Henze and I were more or less coevals, which may have ... others as belonging to an earlier age. "How about Henze?" I ventured. He brushed him aside with a word ...
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