Article: The purists Paul Follot and Maurice Dufrene.(on art deco)

At the 1925 Exposition internationale des Arts decoratifs et Industriels modernes in Paris, the unquestioned star of the event was the furniture designer and ensemblier Emile Jacques Ruhlmann (1879-1933). Critics hailed his showcase pavilion--which he called the Hotel du Collectionneur--as a masterwork, and as the design historian Alastair Duncan wrote decades later, "Had France of the 1920s been a monarchy, Ruhlmann would certainly have held the position of ebeniste [cabinetmaker] au roi." (1)

As it was then, so it is today. Ruhlmann is unquestionably regarded as the greatest designer of his time; his furnishings frequently garner more than $1 million at auction ...

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