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Article: Blood and fire: passing the torch of gypsy guitar.(guitar music history)(includes related articles on the Maccaferri-Selmer 1933-53 'gypsy jazz guitars; and on 15-year-old gypsy prodigy Jimmy Rosenberg)
- Article from:
- Guitar Player
- Article date:
- December 1, 1996
- Author:
CopyrightCOPYRIGHT 1996 New Bay Media. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)
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It was a typical Industrial Revolution scenario. In the mid-1800s, a generation of beleaguered farmers from the Auvergne in southern France migrated north to Paris looking for work. Congregating in cafes charbons (literally "charcoal cafes," referring to the cooking fuel used), these expatriate Auvernats gathered to play their country, music from home - bourrees, schottisches, polkas - on fiddles, bagpipes and hurdy-gurdies. Gradually, the instrumentation was tailored to city life and modern times. The accordeon replaced bagpipes and hurdy-gurdies, and the fiddle eventually gave way to the clarinet. By the turn of the century, accordion was king, and as the Jazz Age drew ...