Article: Francis Bacon. (retrospective of painter's works at the Centre Georges Pompidou in Paris, France)

On entering this major Francis Bacon retrospective, curated by David Sylvester, one was immediately confronted by the memorably horrific Three Studies for Figures at the Base of a Crucifixion, 1944. These weird sisters, phallic in inspiration, ambiguously maleficent in pose and identity, seem to have been inspired by the vengeful Eumenides who, in Aeschylus' drama, pursued Orestes after Athens lost the Peloponnesian war. Writhing before a stark orange background, mouths either hardly visible or wide open in a vagina dentata-esque howl, these creatures are nevertheless oddly domesticated, more demons of the middle-class parlor than mourners at a crucifixion. With its obvious ...

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