Article: Charmides and The Sphinx: Wilde's engagement with Keats.

From the Renaissance to the nineteenth century Greece was a primary object of myth-makers' attentions, its history as well as its mythology fodder for the imagination: a ligature exemplified by Oscar Wilde's "The Theatre at Argos" (1877), a sonnet written in situ, "Where once the Chorus danced to measures fleet; / Far to the East a purple stretch of sea, / The cliffs of gold that prisoned Danae" (ll. 5-7). (1) The mythical Danae is given ontological status equal to that of the historical poet and chorus who would have enacted her story in the theater, thus acknowledging that Greek history, like Greek myth, survives now as an aspect of the individual imagination. But ...






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