Article: Wild Man Blues.

The filmmaker lets a documentary camera into his life. But has it captured the real Allen?

Wild Man Blues may be the only documentary we're ever going to have about Woody Allen, so it's kind of a historic event. How come the famously private Allen invited someone else's camera into his life? Well, he invited it into one part of his life, the musical part. And the camera belongs to Barbara Kopple, the two-time Oscar-winning maker of documentaries like "Harlan County, U.S.A." (1977) and "American Dream" (1991), both about the sometimes violent struggles of workers in Kentucky and Minnesota. Why would the brilliant director of such powerful, socially militant films ...

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