Article: Saving Private Ryan.

* Steven Spielberg is a director whose chief aim is to make movies to which terms such as most, biggest, or ultimate can be applied. He may labor under the delusion that they are synonyms for best. Having made, as he thinks, the ultimate extraterrestrial, dinosaur, Holocaust, and slavery movies, he has now applied himself to the ultimate World War II movie, Saving Private Ryan, for whose financing two film companies joined hands and pocketbooks. Such bedfellowship has precedent only in Titanic, with which SPR has more than one fateful aspect in common, starting with an overweening director.

SPR divides neatly into three acts. Act One: The Allied invasion of Normandy, ...

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