Article: "The Crystal Revenge": The Hypertrophy of the Visual in Novalis and Tieck.(Critical Essay)

It is far easier to see how modes of representation, perception, and communication have radically changed in our postindustrialist, high-technological consumer age than it is to recognize continuity with former epistemes or ways of knowing. The result is that, despite the numerous debates a few years ago on the ties between modernity and postmodernity (a debate that has now almost totally exhausted itself), postmodernism as an era, movement, or concept appears unprecedented; its uniqueness is fetishized. To be sure, marry critics have noticed the citation of previous design in postmodernist architecture or the nostalgia for the past, even for the recent sixties, in films ...

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