Article: Cheryl Goldsleger at Rosenberg + Kaufman.(Brief Article)

A generation ago, a varied group of artists, including Alice Aycock, Richard Fleischner and Robert Morris, looked to the convoluted geometry and mythological associations of the labyrinth for an alternative to what they perceived to be the narrow, Platonic limits of Minimalist form. Today, Georgia-based artist Cheryl Goldsleger likewise enlists the thematic and associative complexities of the labyrinth in encaustic paintings on linen and paper. Long fascinated by architectural forms, she exploits the deeply allusive quality of the maze in compositions whose elements double and mirror themselves in complex and rigorous permutations.

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