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Article: Yvan Golls 'Paris brennt'. Zur Bedeutung von Collage, Montage und Simultanismus als Gestaltungsverfahren der Avantgarde. Mit einer Edition der Zagreber Erstfassung von 1921.(Review)
- Article from:
- The Modern Language Review
- Article date:
- January 1, 2000
- Author:
CopyrightCOPYRIGHT 2000 Modern Humanities Research Association. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)
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Yvan Golls 'Paris brennt'. Zur Bedeutung von Collage, Montage und Simultanismus als Gestaltungsverfahren der Avantgarde. Mit einer Edition der Zagreber Erstfassung von 1921. By JOHANNES ULLMAIER. (Untersuchungen zur deutschen Literaturgeschichte, 74) Tubingen: Niemeyer. 1995. vi + 238 pp. DM 84.
Johannes Ullmaier's study is a welcome addition to the slowly expanding range of secondary literature on Yvan Goll. It is a stimulating analysis of a dynamic but neglected text that Ullmaier identifies as one of the most convincing transpositions of Futurist poetic theory into German (p. 147). Until the appearance of Ullmaier's study, the texts of Goll's Paris brennt/Paris ...