Article: Reviving Orson: or Rosebud, Dead or Alive.

At the end of Casanova's Big Night (1954), a lame burlesque of romantic swashbucklers, a freeze frame halts an executioner's ax as it swings toward the hero's lowered head. A voice-over narrator intervenes informing the audience of a disagreement between the studio and the film's star over how to end the story: "You've seen our ending. Now we show you one written, produced, and directed by Bob 'Orson Welles' Hope." The crux of the joke is clear, if painfully stale: rather than a simple exit, Hope's overweening ego and spendthrift ways demand something more extravagant, in the manner of Hollywood's disinherited 'boy genius' (in retrospect, the joke was on Hope since ...

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