Article: Rehabilitating naturalism.

ARTHUR MILNER HAS WORKED IN professional theatre for 25 years. In this essay, he explores problems in contemporary theatre criticism and, by implication, cultural criticism in general. He traces theatre history through the birth of naturalism in the 1870s and the anti-naturalist rebellion that followed it, and explains why contemporary dramatists still refer to certain work as avant garde or experimental, even though the "experiment" has, according to Milner, long since ended. Using as example the work of Canadian playwrights Tomson Highway and George F. Walker, Milner examines the contribution of poststructuralist academics. While many critics and theatre artists dismiss ...

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