Article: Rachel Loden. Hotel Imperium. Athens: University of Georgia Press, 1999.(Review)

Certain circles seriously asked whether American poetry can be said to be political. "Where are the contemporary American equivalents of Yeats's 'Easter 1916' and Auden's 'September 1, 1939'? Where is our Octavio Paz, our Vaclev Havel?" Adrienne Rich and Carloyn Forche, of Americans writing in English, have written politically, and identity poetics and postcolonial criticism are politic. Then Rachel Loden's Hotel Imperium was published in late 1999. It's now in its second printing, a rarity, but not a surprise for this prize-winning first book. No one else brings such crystalline language to absurd situations.

Loden writes complex, literary, and political ...

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