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Article: Emigres and others: a sweeping exhibition documented the contribution of non-French artists who were drawn to the City of Lights in the early decades of the 20th century. (Report From Paris).(L'Ecole de Paris 1904-1929)
- Article from:
- Art in America
- Article date:
- December 1, 2001
- Author:
CopyrightCOPYRIGHT 2001 Brant Publications, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)
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The "School of Paris" is a phenomenon we once assumed we understood: a legendary group of artists working in a magical European capital. Its pictorial and plastic experiments were deemed crucial to the construction of modernism and the history of 20th-century art. Yet, despite renewed interest and research during the last 15 years, many issues surrounding this school remain unclear. Which artists belong to such a seemingly exclusive club? What years are under discussion? How might we begin to conjure its esthetic range? At once kaleidoscopic and cosmopolitan, the recent exhibition "L'Ecole de Paris 1904-1929, la part de l'Autre" (The School of Paris 1904-1929, the role of ...
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