Article: Clarina Bezzola at Cynthia Broan.(Brief Article)

While continuing to work mainly with stuffed fabric, Clarina Bezzola has shifted from freestanding sculptures to wearable garments. Seven such works were recently exhibited along with gouache studies and photographs of the artist wearing her own sartorial creations. Recalling certain works by Jana Sterbak and Beverly Semmes, Bezzola's fabric sculptures articulate a similar feminist critique of women's fashion.

Draped on four female mannequins, the principal sculptures greeted the spectator like a retail clothing display, an effect enhanced by the large mirror mounted on one wall. Yet only the most outlandish examples of haute couture could approximate Bezzola's ...

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