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Article: The Chansons of Orlando di Lasso and Their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France. (Reviews).(Book Review)
- Article from:
- Renaissance Quarterly
- Article date:
- September 22, 2002
- Author:
CopyrightCOPYRIGHT 2002 The Renaissance Society of America. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)
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Richard Freedman, The Chansons of Orlando di Lasso and Their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France (Eastman Studies in Music, 15.) Rochester: University of Rochester Press, 2001. xxiv + 259 pp. $75. ISBN: 1-58046-075-5.
Richard Freedman examines three published collections of contrafacta chansons by Orlando di Lasso: Thomas Vautrollier's Recueil du mellange d'Orlande (London, 1570), Jean Pasquier's Mellange d'Orlande de Lassus (La Rochelle, 1575 and 1576), and Simon Goulart's Thresor de musique d'Orlande ([Geneva], 1576, 1582, and 1594). Each of these anthologies transmits both contrafacta chansons -- works whose texts have ...