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Article: Anne Harris and Cynthia Knott at DC Moore. (New York).
- Article from:
- Art in America
- Article date:
- February 1, 2003
- Author:
CopyrightCOPYRIGHT 2003 Brant Publications, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)
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Anne Harris disturbs as much as she charms. A figurative painter of considerable skill, she has concentrated in the past five years on self-portraits and pictures of her young son, Max; the compositions glow with transcendent light, but her harsh documentation of the human form also arouses repulsion. In one portrait of herself from 1996-97, she stands naked and pregnant, her eyes half closed and her mouth slightly open. Her expression is uncanny, nearly threatening. She almost seems to have come from the dead. The unmistakable discomfort we feel on seeing this image comes from Harris's remarkable detail. In her paintings she can seem witchlike, devoted to dark causes, ...
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