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Article: Same difference.(photography at Ydessa Hendeles Foundation)
- Article from:
- Parachute: Contemporary Art Magazine
- Article date:
- January 1, 2003
- Author:
CopyrightCOPYRIGHT 2003 Parachute Contemporary Art. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)
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Ydessa Hendeles Foundation
Toronto
March 16 - Ongoing
Ydessa Hendeles is in the unique position of being a collector, cultural maker and exhibitor all in one. Unlike most collectors who may lend their objects or exhibit them as collections that reflect back onto them and their particular tastes and interests, Hendeles precisely selects objects that she exhibits in order to present a tightly curated whole. The curatorial process that she undergoes and whose result she exhibits is not a regular one. There are no didactic panels in the gallery, no written statement, and irregular labels. It is in the gaps, then, that the viewer must trace intent. ...
Related newspaper, magazine, and journal articles:
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Article: Ecurring images: historical photography as contemporary art.
C: International Contemporary Art;
February 1, 1999 ;
700+ words
... ... radically in approach, current curatorial endeavours by Ydessa Hendeles and Vid Ingelevics present historical photography in ways ... work of contemporary artists. In her current show at the Ydessa Hendeles Art Foundation (on view until March 1999), she assembles ...
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