Article: Sculpture

Sculpture

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The Ideal Form. Not a nude figure, I hope, com-ments a character in Nathaniel Hawthorne s The Marble Faun (1860). Hawthorne s novel, set in Rome, tracks a band of American artists abroad. As Hawthorne s sculp-tor, Kenyon, prepares to unveil a figure, his friend Miriam observes, Every young sculptor seems to think that he must give the world some specimen of indecorous womanhood, and call it È ve, Venus, a Nymph, or any name that may apologize for a lack of decent clothing. Miriam s teasing remarks shed light on the state of nineteenth-century American sculpture. At midcentury a marble ...

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