Article: `Cyrano': Right on the Nose

Gerard Depardieu brings his considerable girth and flamboyance to Jean-Paul Rappeneau's burly adaptation of "Cyrano de Bergerac," a swashbuckling burlesque of negative self-image, cowardice and compromise. Though he doesn't really need it, Depardieu is equipped with a prosthetic proboscis, a palpable trunk that inspires both shame and swagger in France's enduring hero. But unlike poor Cyrano, Depardieu wears the nose, the nose does not wear him.

First performed in Paris in 1897, Edmond Rostand's romantic tragicomedy has been spruced up by Rappeneau and Jean-Claude Carriere, who dismantled, analyzed and reconstructed each act while

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