Article: `Ordo' in the Cathedral; Amid Tricky Acoustics, the Folger's Spectacle

Those who have tickets for tonight's repeat performance of Hildegard von Bingen's "Ordo Virtutum" would do well to arrive at the Washington Cathedral early. Parking is at a premium and the best seats are likely to be snapped up well before the Folger Consort launches into its instrumental prelude with rebec, psaltery, organ, bells and other vintage instruments.

Where you sit makes a significant difference. In some parts of the cathedral's vast reaches, the sight lines and acoustics can be somewhat problematic. Hildegard's plainchant is written for exactly this kind of acoustic environment; it moves slowly, its structures are simple and unornamented, and it avoids brusque leaps of pitch ...

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