Article: Fairfax Symphony

Three radically different works-ranging from the dauntingly new to the reassuringly familiar-made up Saturday night's performance by the Fairfax Symphony Orchestra, under the direction of conductor William Hudson.

Opening with a limpid, evocative reading of Mendelssohn's two-part tone-poem "Calm Sea and Prosperous Voyage," Hudson moved quickly into Krzysztof Penderecki's considerably stormier Concerto for Viola and Orchestra from 1983. Written in a more accessible but no less tormented style than the composer's seminal works of the 1960s, the concerto proved fiercely inventive and dramatic, and the ...

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