Article: `Salome': Wilde Abandon

When artists run dry they often turn their disdain outward, and that is what Ken Russell has done in "Salome's Last Dance." His disgust pervades everything: his craft, his audience, his inspiration.

What wonderful fun it must be for Russell to take the work of respected artists, or better yet, their life stories, and defile them; to cover his actors in paint or garishly rouge their cheeks and crust their eyes with mascara and dress them luridly in bed sheets and loincloths. And what a chuckle he must get at the thought of dousing movie audiences with his gassy theatrics.

Ken Russell must be having more fun than humans can bear. Or at least I hope he is. Somebody ought to be.

The ...

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