Article: From Chesil Beach to the lost hills of Galilee IAN McEWAN NIALL GRIFFITHS & RUPERT THOMSON RAJA SHEHADEH CLIVE STAFFORD-SMITH

FOR once, there's no reading. No set-up of characters and plot, no explanations, no carefully masked hard sell. Just a thoughtful, thoroughly prepared interviewer (that's Ian Rankin getting my vote as the festival's best chair), a thoughtful writer (when is Ian McEwan anything else?) and the kind of unpredictable, unshowy questions from the audience that are rarer than they ought to be.

Put it all together, and you got a fair picture of what kind of writer Ian McEwan, pictured, has been (over-influenced, he now says, by the tail-end of existentialism), and how he changed to the kind of writer he is now. You see how he started out, the poster boy for Malcolm Bradbury's post-graduate course ...

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